Philip's business partners are standing trial as he apparently was going to reveal their illegal insider trading scams to the police, and this is accepted as the motive behind his murder. Magda has now got involved with Jay [formerly Jennifer] Macallan Stewart, a wealthy lesbian internet entrepreneur. Corinna, a devout Catholic, believes Jay, who had a very traumatic upbringing, was responsible for the murder of a rival for the position of JCR [Junior Common Room] President when she was a student. There is also the suggestion that a business partner, and a potential Swedish rival also met their deaths at her hands.
Corinna who had used both Charlie and Jay, when they were students at St Scholastika's College, as baby sitters for her children, is now desperate to break up Magda's relationship with Jay.
Charlie, living with Maria, a cute dentist, is meanwhile lusting after Lisa Kent, who runs a very successful self-help programme, 'I'm Not OK, You're Not OK; Negotiating Vulnerability'.
While Charlie investigates Jay's possible crimes, Jay is writing a second volume in the story of her life and later the reader is given extracts from her first misery memoir, Unrepentant, which reveals the story of her traumatic childhood with an important detail censored.
Is Jay a serial killer? Is Magda in danger? Will Charlie leave Maria for Lisa Kent? Who did kill Philip Carling, and why?
These questions keep the reader turning the pages, until the satisfying if not entirely surprising denouement.
Val McDermid said she got the idea for this book when visiting St Hilda's, and seeing a wedding with a beautiful bride [who she realised she must have baby sat] and a self satisfied groom. What if the groom was dead by bedtime?
Val's first three novels twenty years ago featured Lindsay Gordon, the UK's first openly lesbian detective; the 6th Lindsay Gordon, 7 years ago was only issued as a paperback original and not well promoted. The relaxation of British society, and the opening up of British culture means that this is Val's most lesbian book with in her words a dyke on every page.
I am probably not the intended demographic for this novel and although Val has said she doesn't set out to hammer home a message or to titillate, I have to admit to have felt voyeuristic and quite excited by this passage.
Maria [the dentist] spread her toast and gave Charlie a wicked little smile. 'I'm always so bloody dutiful,' she said. 'Just for once, I feel like playing truant. Besides, I only ever book morning appointments on a Friday. It won't be the end of the world if I miss an afternoon's admin. I'll get Sharla to call my patients this morning. It won't kill them to rebook. There's nothing urgent, as far as I recall. What do you say? Shall I come? Shall we have a bit of fun?'
Val McDermid certainly knows how to get a retired male NHS dentist intrigued, and fascinated, by the very different world of private dentistry.
Trick in the Dark is a superb pastiche of the classic British detective story, and I found it hilariously funny in places. I do hope I was expected to have that reaction, because I loved the autobiographical snippets about accents, and the JCR presidency.
Val McDermid has become such an important crime writer that she is able to write a book in which all the major characters are lesbians, and it is published without hesitation by a main stream publisher. She must have enjoyed that enormously.
I recently read an article in which the journalist wrote; But after a few chapters their sexual orientation becomes incidental to solving the murders.
I do wish people would actually read the books they write about, because in this book the characters sexuality is integral to the whole story and the plot.
What I think amused me was that all of these women, from whatever backgrounds they came from, had been changed by Oxford into successful professional women with a lifestyle to match. A very pre financial meltdown scenario.
In this case the main characters consist of an author and internet business woman, a psychiatrist, a dentist, an oncologist, a self-help guru, and an Oxford don. It is rather like one of those superior Agatha Christie teasers where the servants are never mentioned.
Ms McDermid was the first state school pupil to be a student at St Hilda's, but she manages to capture that very English upper class idiosyncrasy of using childhood nicknames into adulthood.
'Will you retire at the same time as Dad?' Catherine asked Corinna. 'I bet you are making plans already.'
Corinna looked startled. 'I've a few years yet, Wheelie.'
I think it was E.M. Forster who said he could only write about people that I am, I want to be or that irritate me, and there is obviously much of that in Val McDermid's book.
More importantly the book does relate how different people cope with coming out, and society's reaction to that, but it also emphasizes that some of the more relevant divisions in society are not between gay and straight, but between rich and poor, town and gown, or Oxbridge and the rest.
I thought this was a superbly entertaining read, perhaps intended to be a little ironic, but proving that old adage that to produce a successful book the author should write about something they know.
I expect there will be a Lithuanian receptionist, Polish barman, and a Romanian breakfast waitress like everywhere rural these days. The locals escape as soon as they can to cities with anonymous nightlife and better wages. Thanks heavens for the Eastern Europeans or our leisure culture would collapse.
I read this book as part of my Female Crime Writer Challenge, and also because Val McDermid was so interesting, and amusing, when I heard her speak at the Budleigh Salterton Literary Festival in 2009. 
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